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Charles M. Russell   Artwork   Poetry


did you know:

In 1890, Russell painted Cowboy Sport Roping a Wolf and The Buffalo Runners and the first anthology of Russell paintings, Studies of Western Life, was published. In the same year, the following events also occurred:


-The Census stated that the American frontier was officially closed.


-The National Women’s Suffrage Association was formed.

 

Charlie's Art

Cowpunching Sometimes Spells Trouble

Charles M. Russell
Cowpunching Sometimes Spells Trouble
1889
Oil on canvas
26 inches x 41 inches



Although Russell was not much of a cowpuncher himself, he admired his friends who were top hands and watched them as they went about their daily business. Many of Russell’s paintings isolated the cowboy and horse in an elemental contest. He enjoyed creating complicated, story-telling pictures that allowed the action to unfold before the viewer.
Utica Charles M. Russell
Utica ( A Quiet day in Utica)
1907
Oil on canvas
24 1/8 inches x 36 1/8 inches
This action painting of Utica’s main street was commissioned in 1907 by Charles Lehman’s sons. Although the Lehman store in Utica had already closed, the painting was used to advertise the Lehmans’ Lewistown store. In the painting, Charlie Russell, himself, leans against the hitching post while Charles Lehman lounges in the doorway.
Grubpile Charles M. Russell
Grubpile (The Evening Pipe)
1890
Oil on canvas
9 5/8 inches x 16 3/8 inches
In Grubpile, the solitary Cree seems oblivious to the activity around him as he finds solace with each puff on his pipe. Indians made smoking into a ritual and, in some cultures, a part of religious practice. In this painting the blanket-wrapped figure is seated beside his small fire and his temporary shelter. While Russell was known for his ability to paint action, in many cases his Indian pictures revealed a more contemplative side.
Bucker Charles M. Russell
The Bucker
1904
Watercolor, pencil & gouache on paper
16 1/4 inches x 12 1/4 inches
Russell had a knack for capturing a horse in motion. He could twist a man or animal anyway he chose for the purpose of action. The vertical composition of this painting heightens its visual impact, emphasizing the towering height of the horse and rider as they crowd the edges of the painting.